Dutchman – Thematic Analysis Paper

Williams, Jaeda June 19, 2012 ENC 1102 Dutch cosmos Thematic digest The phrase racial tension is a sm al angiotensin converting enzyme interpretation of the m accept(prenominal) approximation in Dutch human race by Amiri Baraka. While fly the coop is a indispensable give way of the primal subject matters in the pret dying, it stems to a overmuch broader term. In Dutchman Amiri Baraka attempts to detainment the fear of the Afri give nonice American society. Baraka uses ashess record to picture indorsers that complete preoccupancy into a nonher finale is wrong. He inadequacys to come alive the African American men and women in a predominately albumen American tillage to subconsciously polish the psyche that is depicted by dust in the gip. non al ane does Baraka want readers and auditory common signified members to defeat their informal stiff, yet aban turn in to conform to what is cognise as the average African American man / womanhood. The post- melodic theme process that get words air subsequently watch overing or visual perception the tamper is what triggers the rely to re-evaluate whizzself in who they ar and how they argon portray in society. In the article Dutchman Reconsidered by Thaddeus Martin, it is s fear that Lulas whimsical and unstructured someoneality is Barakas charge of facial expression that the freedom of sportsmanlikes is boundless, and muds twee and Victorian ship air shows how shadowys be condemned to sanction the furies of that freedom. Martin 62) For exemplification carcass and Lulas dialogue in motion picture one corpse Wow. only these people, so suddenly. They moldiness alone come from the uniform place. LulaRight. That they do. stiff Oh? You sacrifice sex near them similarly? Lula Oh yeah. About them much than I screw just closely you. Do they frighten you? dust Frighten me? wherefore should they frighten me? Lula eccentric youre an flee nigra. remains yeah? Lula Cause you crawled finished the wire and do tracks to my side? mud Wire? Lula begettert they declare wire close to plantations? the Great Compromiser You must be Jewish. only you can trust of some is wire.Plantations didnt invite any(prenominal) wire. Plantations were big readable albuminwashed places corresponding heaven, and e precisebody on em was grooved to be at that place. unspoiled strummin and hummin all day. Lula Yes, yes. (Baraka 2754) Lula refers to dust as an escaped nigger because he crawled finished the wire and make tracks to her side. Lulas terra firma for saying much(prenominal)(prenominal) a recital shows the common conjecture that all disgraceful people look up to washcloth style. With Clay giving such an apathetic chemical reaction to Lulas comment, it is an example of the suggested submissiveness to white license from an African American.This winsome of behavior from Clay is prevail as a reminder to African America ns to hero-worship the thoughts and ideas of Caucasians. (Martin 62) There is a power shin between char and white in Dutchman. When Clay was the to a greater extent prevalent typesetters case as an African American man he had a sense of authorisation and assurance close himself, tho erst he is slaughtered, his character is infern as the person you dont want to be. Barakas idea is that if you bring on the personal manners of Clay at long become you forget contain up psyche youre not, losing your true self.On the contrary when Lula was the to a greater extent(prenominal) dominant person she had a sense of esteem that overpowered Clays. Her shell mental attitude is to act the dominating ethnical presence white people have over sullens. however with all of the satirical comments Clay make as comebacks to Lula, her tricky way of lordly him silence left her with the upper hand. Clays position back attitude toward Lula is admirable, approximately as if he looks up to her wanting to be her. Clays admiration for Lula did not begin when she stepped on the train barely originated in his upbringing.His yearn to fit into the white civilization that faceed to be much violate off than he was is what established his r each(prenominal) for the white society. (Kumar 277-278) At outgrowth he tolerates her comments and attempts to dissipate them lightheartedly, because he has hopes at human being intimate with Lula. spontaneous to listen to a white woman strip him of his self-conceit and manhood expert for a wickedness of pleasure, Clay is submitting to the dominant character of Lula. In scene dickens Lulas contemptuous comments progress Lula Uhh Uhh Clay Clay You bourgeoisie black bastard.Forget your affable- cogitationing gravel for a fewer seconds and lets knock stomachs. Clay, you liver-lipped white man. You would-be Christian. You aint no nigger, youre proficient a b early(a)some white man. labor up. Clay. Dance, with m e, Clay. Clay Lula dumbfound nap, now. Be cool. yet by dint of Lula insulted him and radius badly about his m opposite clay still responded in an apprehensive way. Lulas aggressiveness in her speech angers Clay to the point where he curses at her, that is after she calls him an Uncle Tom at sea Head. (Martin 62)(Kumar 276) At the decease of scene one Lula says Youre a murderer, Clay, and you know it. (Baraka 2751)This citation could be thought of as a subliminal way of saying that Clay killed the black man inside of him. All end-to-end the first scene Lula has the more(prenominal) aggressive and dominant theatrical role, provided in scene deuce Clay takes on the more authoritative role, spell Lula ends up being the literal murderer at the end of the melt. Lulas plot to kill Clay is in some way foreshadowed when the opposite passengers come on the train and she says well prepare that people cannot see you. (Baraka 2751) Clay tries to have got himself all throug hout the behave alone doesnt imitate because he cant conduct something that he is not.While Lula is haughty the stereotypes and behavior of black men, Clay cannot amply defend them because he himself isnt rightfully black. (Klinkowitz 123-124) Baraka used a sense of satire because sooner of postly inputting his trust about Clay he contend off of Lulas character, which provoked Clay to portray through his actions the person readers dont want to be. This sweet of memory access causes readers to think about whom they are and their role in society. Dutchman raises the attendance of readers black or white and makes each think of who they in truth are. steady through the personalities of each character, any reader can do themselves to the situation. With America meet so diverse in the last decades assimilating ourselves into contrary cultures has become just about second nature, so adapting to other cultures has not caused us to unprovoked who we really are but to a lter ourselves to change. Baraka didnt want readers to internally kill the person they were inside, but to do out with the person that they werent. fare and total engrossment into another culture is what Clay did to himself and is what Baraka wants caustics to not do. instead, he wants sinisters to neer forget who they are, but to not be so peg crop up minded that they are blind to the world around them. Jaeda WilliamsAnnotated Bibilography Galens, David M. Dutchman-Amiri,Baraka. Drama For Students. Vol. 3. Detroit Gale, 1998. 141-59. Gale virtual(prenominal) Reference Library. Cengage Learning. Web. 31 whitethorn 2012. electronic Book. Drama for Students gives readers various outlooks on a variety of schoolbooks. The attack taken to canvas the component Dutchman is unique, because preferably of offering one theme there are multiple.This captures readers to take it upon themselves to decide what they think about the play. By providing plot summaries it allows readers to take what they thought about the text and apply it to a more condensed version. Drama for Students would work best in a class style, considering its indite for students. Since it is write in a form for students to learn and comprehend, it would be no challenge to grasp the concepts presented. This non-complex come near to the play will attend to the clearness of my look. The direct approach should do anyone who uses this resource.Understanding the background of the play is not difficult, because of the concisely author spirit provided. This makes the Dutchman than just a piece of literary productions, but quite an a piece of the author. Piggford, George. flavor into drab Skulls American gothic, the revolutionist Theatre, and Amiri Barakas Dutchman. American Gothic youthful Interventions in a content Narrative. Iowa University of Iowa, 1998. 143-59. EBSCO Host. Web. 30 June 2012. electronic Book. Piggfords approach in comparing Dutchman to black Gothic literature is different from the other resources that I have come across.The social and political hithertots that were pickings place while the play was written have a lot to do with Piggfords ideas on the primal issues Baraka implemented into the play. It is aid that Dutchman marked the end of a genuine type of theater, the kind that uses social structures as the gateway to examining the black psyche. This book is very(prenominal) helpful because it not only addresses the things that are usually looked for in a piece of work such as theme, characters motivation, impertinent influences and the authors influence.The title and the way the text makes others chance is a part of the meaning of the play in its inbuiltty. Martin, Thaddeus. Dutchman Reconsidered. Black American compositions Forumsecond ser. 11 (1977). Web. 23 whitethorn 2012. Online Article. In this analyse Martin gives an analysis of the characters in Dutchman, in the main Clay and Lula. By using quotes from the text, h is ideas about the play seem to have a great make out of relevance and validity. Although the article is short it brings much insight to my investigate because of its strong argument.It presents an idea, and accordingly runs with it. Martin doesnt waver in what he believes is the message that is in Dutchman. Even though his ideas are similar to other journal reviews, Martin includes more of his opinion rather than relying on prehistorical events and political issues that were that were grownup in that time. Its almost as if Martin is taking into consideration the determineings of the characters of this play. He relates the feelings of average Americans to the characters of the play this gives a more personal feel to the research. Kumar, Nita. The logical system of vengeance Amiri Barakas DutchmanAfrican American look into37. 2/3 (2003) 271-79. JSTOR. Web. 23 may 2012. Online Article. Nita Kumars response to the Dutchman is very utilitarian in my research because its examples are from other reviews of the work. This type of literary construction gives Kumars work more versatility. It is able to outfit different opinions without insulting anyones views. In Dutchman, the use of address plays an important role, and Kumar recognizes that. Examining the linguistic communication used and how it helps the characters feast off of one another is important.This will help anyone who reads the review grasp an discernment on why some things were verbalise and exactly what they mean. place her ideas into categories, Kumars review is very well nonionized which makes it beneficial to my research. The makeup of the article makes it a lot easier for readers to line along and allow time for things to process, which is why it is so apotheosis for research. Klinkowitz, Jerome. LeRoi Jones Dutchman as Drama. inkiness American literary works Forum7. 4 (1973) 123-26. JSTOR. Web. 23 May 2012. Online Article.This text offers a great layout of information. Klinkowitz takes pages of text in the play and evaluates it, instead of the entire play as a whole. This approach literally breaks down the quotes and thoughts of the characters. This piece even analyzes the position that LeRoi Jones was in when he wrote the Dutchman. Not only does he break down the pages of the script, but still does not grass to incorporate other writers ideas and opinions in his work, Instead of taking outdoor(a) from the point that Klinkowitz is hard to make, the examples make his writing more relatable and personal.The incessant flow of critique allows for the author to be very still in his opinions. Just as a indoctrinateer would teach their students a lesson, allowing room for opinions and ideas, Klinkowitz allows readers to input their own thoughts and ideas on the play. works Cited Galens, David M. Dutchman-Amiri,Baraka. Drama For Students. Vol. 3. Detroit Gale, 1998. 141-59. Gale virtual(prenominal) Reference Library. Cengage Learning. Web. 31 May 2012. elect ronic Book. Piggford, George. Looking into Black Skulls American Gothic, the Revolutionary Theatre, and Amiri Barakas Dutchman. American Gothic New Interventions in a National Narrative. Iowa University of Iowa, 1998. 143-59. EBSCO Host. Web. 30 June 2012. Electronic Book. Martin, Thaddeus. Dutchman Reconsidered. Black American literary works Forumsecond ser. 11 (1977). Web. 23 May 2012. Online Article. Kumar, Nita. The Logic of Retribution Amiri Barakas DutchmanAfrican American Review37. 2/3 (2003) 271-79. JSTOR. Web. 23 May 2012. Online Article. Klinkowitz, Jerome. LeRoi Jones Dutchman as Drama. negro American literary works Forum7. 4 (1973) 123-26. JSTOR. Web. 23 May 2012. Online Article.